Low light filming with Alexa 35

Filming in low light with the ARRI Alexa 35 and how the distribution of highlights and shadows shift across the dynamic range of the camera; from EI200 all the way up to EI6400 while maintaining the same amount of light within the scene.

Additionally, exploring creative applications with EI (ISO) in mind, when it can be motivated to push towards higher EI or consider faster optics. The article includes comparisons of stills, a look at waveforms and conclusions.